ALLEN & HEATH QU-24

Qu-24  

24-channel Digital Console with 25 Motorized Faders, Total Recall, Parametric EQ, Touchscreen Control, 5 Cores of ARM DSP Processing, 4 Onboard FX Engines, Integrated Multitrack USB Recorder

Features

• Channels     24
• Inputs - Mic Preamps   24 x XLR
• Inputs - Line    28 x TRS
• Inputs - Other            4 x TRS (ST1,2), 1 x 1/8" TRS (ST3)
• Outputs - Main          2 x XLR
• Outputs - Other         4 x TRS (2TRK, Alt), 10 x XLR (Mix Outs), 8 x XLR (Group, Matrix)
• Outputs - Digital       1 x XLR (2-channel AES)
• Headphones    1 x TRS
• Data I/O          Ethernet, USB-B
• I/O Expansion Slots D-Snake port
• Phantom Power         24
• EQ Bands      4-band parametric
• Aux Sends     Virtual, via configurable user strip
• Busses/Groups         4 groups
• Faders            25, 100mm motorized Alps
• Channel Inserts        Virtual, via SuperStrip
• Effects            Yes
• Talkback        Yes
• Transport Controls   No
• DAW Control Partial
• Computer Connectivity        1 x USB A (to device), 1 x USB B (to host)
• Rackmountable     No

• Height      7.4"
• Depth      19.7"
• Width     24.9"
• Weight    31lbs. lbs.

• USB Audio  A USB hard drive formatted on one model can be used on the other.

Stereo and multitrack Qu-Drive recordings are compatible.

USB B audio streaming is compatible, but note that the Qu-16 is 24 out / 22 in, the Qu-24 is 32 out / 30 in, and the Qu-32 is 32 out / 32 in.

• Mono Line Input – Balanced ¼” TRS (Tip, Ring, Sleeve) jack input for plugging in line level signals such as multitrack players and radio mic receivers.

To work with unbalanced sources use a mono jack or link ring to sleeve within the TRS stereo jack.

Use DI boxes plugged into the Mic input for high impedance, low level sources such as acoustic instrument pickups.

• Microphone Input – Balanced XLR input for plugging in a low level source such as a microphone or DI box.

48V can be switched to the socket for condenser mics and active DI boxes that require phantom power.

Note - To avoid loud thumps, mute the channel before plugging in cables or switching 48V on or off.

• Stereo Line Input – ST1 and ST2 balanced ¼” TRS (Tip, Ring, Sleeve) jack inputs for plugging in line level stereo sources such as CD players.

The L input normal (switches) through the R input so that you can work with a mono source by plugging into just the L/M input.

To work with RCA phono connections use jack to RCA converter plugs.

• Talkback Input – Dedicated balanced XLR input for plugging in a microphone to route to the mixes for the engineer to talk to the performers on stage.

Phantom power can be switched to the socket for condenser microphones.

เขียนข้อคิดเห็น